Leatherwood Cello Rosin Crisp Recipe
Ratings & Reviews
The best
Tried them all, as a professional cellist with frequent solo and principal responsibilities, this has been by far the most successful rosin for every type of playing. Indispensable.
Best Rosin Iíve Used
Iím a crusty, old, hardened, professional cellist, and in the 60 years Iíve been playing this is the best rosin Iíve found. But do consider the source. On my old cello I play on Pirastro Oliv and Eudoxa strings (and a plutonium A-string)óand on my 20-year-old instrument I have metal strings at the moment. I play on nice bows. (I also have a Baroque cello and a couple of violas da gamba, on which I use Leatherwood Baroque rosin.) What I love about this rosinóI prefer the ìSuppleî formulationóis that it gloms on to the string but does not (Iím looking at you, Andrea) stop the string from vibrating. Yes, itís great for the cellistís bag oí tricksówhatever Piatti or Gr¸tzmacher may fling your wayóbut it shines in the basic currency of what it means to play the cello: it helps d r a w a beautiful tone out of the instrument, frog to tip. Iíve tried most of the favored rosins over the years, and Leatherwood works best for me.
decent rosin, not my first choice, won't buy again
This is good rosin but not as special as they want you to believe or as the price would make you hope. I feel it performs a little better than most of the traditional names selling in the $10 and under range, but not as well as the Melos dark or the Andrea Solo and A Piacere rosins which are far and away my preferred choices. I won't buy it again and can't recommend it given the price and the expectation.